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Stories

A Game Apart


My brother and I attended an event, and it was a great experience. Writing about it, has, however, been rather challenging. This post is an attempt to write about the pleasant time we had, but I found myself hitting the backspace key more often that I would have liked. I hope this post conveys the message I intend it too!

A little over a year back, we attended a rugby 7’s match. It was during the Commonwealth Games. As far as I can remember, we had to buy tickets, wait in long queues, undergo heavy security checking, had to ‘deposit’ any coins we had, and were not allowed to carry video cameras. The ground was lush green, there were two giant screens, and there was excitement in the air. We managed to get good seats and saw international athletes play at close range. We had a wonderful experience.

Fast forward to this afternoon. We went for a rugby match.

The Venue : A Local Ground

Entry was free, there were no security checks, we could sit wherever we wanted, and after the match we could even enter the field.

About two years back, the ground was barren, slums lined its perimeter, and there were at least two large wild pigs. But today, the grass was green and the slums were out of sight (I’m sure there are still a few left, though I couldn’t see them). The ground had nets, goal posts and chalk markings. There was even a temporary stand for the audience. The local ground was no longer just a piece of land, it was a full fledged sports complex. The transformation wasn’t overnite. And it was a pleasant surprise.

The Event : All India Club Sevens Championship

Yes, that’s correct. It was a national event, with teams from all over the country participating! There were no journalists covering the event, no glamourous stars. There was one official photographer, who happened to be a player for the host team’s full rugby squad.

The experience of today’s match was quite different to the international match we witnessed last year. But the modest surrroundings and the low-profile nature of the event did not take anything away from the competition. The quality of the games was very high. The ambience was definitely not as noisy as a high profile international event, but there was good humour all around, and a small section of the crowd cheered the local team.

The presence of international players added some colour to the tournament (no pun intended), and the ‘local’ hero, Pierre stole the event as he danced with some of the kids at the end of the match.
Players going to meet the Coach
As for me, I had the opportunity of standing in the middle of the ground after the match, as the players were moving off the field, towards their coach. It was the kind of view only a person wielding a camera, can have the privilege of experiencing in a professional match.

And it was the pleasure that I could experience today, standing next to my brother. Now where else can one get that!

Rugby is a minor sport in India. For a long time, it was only associated with a Hindi Cinema Actor (who was formerly the captain of the National Team). India currently ranks 75, out of 95 teams in the IRB World rankings.

The state of the sport in the country is best left for professionals to explain. From an ordinary person’s view though, I hope the tide is turning.


While I don’t have much knowledge about rugby, it seems that the sport is beginning to receive some attention. Although there wasn’t any media coverage, the event was sponsored by Harley-davidson motorcycles, United Colors of Benetton, Fox Traveller, and Kingfisher.

The tournament here made me curious enough to find out a little about rugby in India, and it felt good to know that sponsors are beginning to step forward, and the game is developing at the grass-roots level.

Photograph by R. Karthik.

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Stories

Free Bird


I owe inspiration for this post to Saronai.

I started this blog on the 19th of February… It happened to be the day our late grandmother (father’s mother) was born… Like all little children, I loved our grandmother. We called her Delhi pati (as opposed to my mother’s mother, whom we call Madras pati, whom, I may add, I love equally).

Pati came to live with us when we moved to Delhi, and I had the privilege of sharing a room with her. Pati had a very amazing life story. Due to the nature of our grandfather’s work, she spent a lot of time in Burma (now Myanmar). She lived through some of the most important phases of our history…

Married off at the age of 16, Pati didn’t study much… She could read and write fluently in Tamil but not much in English or Hindi… She had a special interest in politics and could recognise fragments of words from the English newspaper we subscribed to. She would point to it and ask us to explain what it was about. She would tell us stories about the War, about our Independence, about Nehru and Jinnah. I neither had an interest, nor did I understand any of it… I always thought she was being nostalgic about the past and wanted to let it out. I wish I had paid more attention, and asked more about our history. I’m sure it would have been more interesting to hear it from her perspective.

At night she used to narrate stories – some mythological, some folk and perhaps even some that she made up – to put me to sleep. She would begin the story, and before it would have reached even the middle, I would have been fast asleep… As a result, I don’t remember any of those stories…

My mother told me about Pati’s children. Her first-born died within a year, in a train. Fearing public outcry, they hid the death of the baby girl throughout the journey. Thereafter she gave birth to six children. I was told that she would have given birth to twins too… Once a thief broke into their house and threatened to kill her with a knife… Out of shock, she miscarried.

I have seen all, but one of my father’s siblings… One of my father’s brothers disappeared at a young age… He was thirty… He had gone for a picnic with his friends to a lake. She had packed a huge bag of home-made potato chips for them… But he never returned. Nor was his body ever found. Till her last breath, Pati hoped her son was safe somewhere and would return one day…

She had once suffered very serious burns and her skin had been damaged badly. She told us that the burnt area had to be grafted  with skin taken from her thighs. It would burn badly when they did that. They had no anaesthetics.

My memory of Pati is hazy now. It’s both surprising, and sad. I had always thought I would have very vivid memories of her. There is one thing that I remember very well… She always had a smile on her face. In everything that she told us, there was never any sign of bitterness or hatred… She was like a child. Her innocence still intact. Despite all that she had been through, she seemed very happy and content.

But she would often say, ‘In my next life, I will study… I will not get married… I want to be a free bird…’

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Stories

Don’t study!!


As little kids, we’re always told by our parents to study… Well, almost always. When I was small, my parents never really had much trouble with me as far as studying was concerned. But once every year, they had to tell me NOT to study!

Navratri is celebrated every year, sometime around October… Although it is celebrated at least twice a year, the one culminating in Dusshera is celebrated with the most enthusiasm. Navratri literally means nine nights. During this festival, various forms of Goddess Durga are worshipped.

Technically speaking, puja (religious ritual) is performed on each day of the festival. But I’ll fast forward to the ninth day. On the ninth day of this festival, we worship Goddess Saraswati, the Goddess of learning and knowledge. In any field, there is always scope for learning. And knowledge can be gained in any form. So all those items from which we can gain knowledge and wisdom are collected and a dias is formed. An idol of the Goddess is placed atop this dias and a puja is conducted. In the north, a similar puja is performed on Vasant Panchami.

A special Rangoli (decorative design) is made, incense sticks are lit, special dishes are prepared and offered to the Goddess…

As little kids, we used to look forward to Navratri – a welcome break from school, special dishes, the festive atmosphere around the entire city. But we had a another reason to be excited…

On this very special ninth day of the puja, it was absolutely compulsory for us not to study! Yes that’s right! We were told not to study. Now which kid wouldn’t want that? 🙂

We wondered why, on the day the Goddess of learning is worshipped, we were told not to learn… Nevertheless, it was a very exciting thought… how nice it would be if we didn’t have to study…

But when the day actually arrived, with nothing to do – we weren’t allowed to read, or engage in any activity related to art or use musical instruments, we weren’t even allowed to work on the computer or watch tv – the day was extremely boring! To not learn, then seemed a terrible thing indeed…

It is said that the Goddess herself offers her blessings to everything that is placed in the dias, so we must not study and wait for the puja to conclude and then study. But more importantly, by not allowing us to do anything, it was a lesson in itself… Life would be incomplete, and worthless without knowledge…

On the tenth day, the puja was concluded. We were told to pick up our books soon after bath and told to read something new… It signified a fresh start… We were once again told to study with interest (pun intended)…


On this year’s Saraswati puja, my mother and I spent the whole day cleaning the house 🙂

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Hobbies Stories

The Good People Of Kotla


Long long ago, when I didn’t have a blog page, I just recorded the random thoughts that came to my mind in separate files on the computer. I wrote this little journal entry on the 22nd day of the month of May in the year 2010. It is in relation to the video about the monuments around Kotla Mubarakpur.

I was working on a short film about the little known monuments around kotla mubarakpur. The narration had been finalised and all that was required was to go for the photo shoot.One of the monuments that was to be covered was that of the Tomb of Mubarak Shah.

I had done a little research about how to get there. And all that I could find were a few photographs, and the location on the satellite image of the area. I could not find any information about the occupant of the tomb, except his name.

A week ago, I had gone hunting for the monument with a friend of mine. I feared going there all alone, knowing that it was a medieval village, and there were very narrow gullies. We asked for directions from some locals, and after a long time, finally managed to locate it. An elderly gentlemen, who gave us the precise direction to the tomb, asked us rather suspiciously why we wanted to go there. We just replied that we wanted to see it. It was rather awkward.

When we reached the tomb, we found it fenced up and locked. We were expecting it. Entry to the tomb was sealed. The village buildings were barely a few feet from the monument. The monument cut a rather sorry picture. It belonged to one of the rulers of Delhi during the fifteenth century. And it was languishing in the middle of some obscure village, with even the locals not bothered about it.

Today, I had to go there again, with my brother, for the actual shoot. We left early in the morning, in order to avoid the scorching summer sun. I felt rather lazy and was beginning to regret the idea.

But we had set out, and the work had to be done. I traced back my steps and to my relief, we managed to reach the monument without asking any one for directions. A horrible stench and open drains greeted us. My brother pulled out his camera and began taking some shots at a very close range.

Anyone with a rather fancy camera is bound to attract attention. And some shop keepers were leaning out of their windows. After a while, a few men surrounded my brother and began questioning him. He answered them in his usual calm and friendly manner. We had come there to see the monument, and were clicking photographs for personal reasons.

His answers seemed to be sufficient for them to relax around him. For, a few seconds later, a middle aged gentleman passed by and told me that it was the tomb of Mubarak Shah and said that we could enter it through the gate on the other side. We reached the gate and I climbed up the ramp in front of the locked gate. I looked at my brother and told him we could enter it. He joined me, and then we realised that it was locked.

Gates Unlocked
Gates Unlocked (Photo by R. Karthik)

By this time, a lot of eyes were fixed on us. And just as we were turning back, a youth walked up carrying a set of keys. He opened the lock on the outer fence and entered the tomb. An observer shouted light-heartedly, “yeh yahaan ka maalik hai!” (He is the owner of this building).

He asked us to take off our shoes and we entered the tomb’s premises. It was then we realised, that we were probably the only outsiders to have set foot in this tomb. A very special privilege indeed. The caretaker then allowed us to enter the main burial area.

When we entered, we were awestruck. There were six tombs inside the tomb – not just one. They were covered with half burnt incense sticks and sweets. There was a broken street lamp fitted on to one of the walls lighting up the interiors. The inscriptions on the walls were well preserved and it was rather peaceful being inside. We took as many photographs as we could and exited the gate, thanking the care taker for his generosity.

As we were leaving, a local called out to the caretaker. “Upar bhi le jaao inhe” (take them upstairs as well).

My brother asked the caretaker, if there was a way to go upstairs as well. We had been around the circumference of the tomb and not noticed any staircase.

Once again the care taker unlocked the gate and ushered us inside. He told us not to take off our shoes and we followed him to another gate. It led to a hidden staircase to the roof. The stone staircase was steep, dark, narrow, and smelling of rotting flesh. With difficulty, we climbed up and reached the terrace. The main gumbad was surrounded by many chattris. I stood there chatting with one of the locals, sharing whatever little knowledge I had about the monument as well as the surrounding tombs, while my brother went around the terrace.

Once we had exited the premises, we spoke to some more locals who were still very suspicious. They told us how officials from ASI would just come there, give some false promises, and leave. The locals had taken it upon themselves to protect the monument.

It was amazing how, just a week ago, I had formed a rather negative opinion about the tomb – how it was lying completely neglected. And today, I had a completely different perspective. Some hospitable locals had granted us access to the monument that few could get. They had taken care of the monument that no one had bothered about.

We left the village and the stench behind us, still unable to believe our luck.

Back home, I edited my script for the film. To the concluding lines, I added, “Though these monuments are over 500 years old, there are no wide-eyed tourists gazing in awe at their magnificence. They might have suffered the ignorance of officials, but they have stood the test of time and survived with a little help from the locals of this enigmatic city called Delhi”

The video that I had been working on, had a roller-coaster of a journey and after almost a whole year, I am relieved to say that I’ve finally managed to complete it! The video has been uploaded to youtube:

Photograph by R. Karthik

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Hobbies Stories

The special ones


A couple of years back, I joined sketching classes. The classes included study of still life, perspective as well as the study of human anatomy. But I kind of got stuck at still life!

There is something about putting pencil to paper, and just looking at an inanimate object. Its just sitting there, patiently waiting for you to make its portrait. It doesn’t feel conscious of your presence, it doesn’t move about, and it definitely does not need breaks.

Like I mentioned earlier, every sketch has a story behind it. Here’s one of them:

Our sketching batch was wound up within a couple of months and our faculty member had told us to continue sketching and show him our work. But, as it turned out, I had stopped doing anything. As the months rolled, I began getting negative thoughts. I was sad most of the time and maybe I was on the verge of depression. I felt like I had nothing to do, a feeling of utter uselessness. I remember crying miserably on my mother’s shoulder and telling her how I felt.

She somehow consoled me, and although my tears had dried up, I was still sad. So, out of sheer desperation, I picked up my sketchbook, emptied a little ‘kullad’ (a small earthen pot) and began drawing. It was late at night and everyone had gone off to sleep. I stayed up till midnight and completed the sketch.

A Kullad and A Seashell
The Kullad that saved me

The very next day, I attempted to sketch a rare, odd-looking seashell right next to the mud pot. Soon I felt my self belief returning.

My mother remarked that the sketch looked sad. But I will always respect it. It’s not the best, but it is the sketch that saved my confidence.